Monday, August 29, 2011
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Sunday, August 28, 2011
I apologize for this mysterious spam. Don't know why it's happening. It didn't come from me.
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To: <priva@intltrans.com>; <michael@dareland.com>;
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Wednesday, August 10, 2011
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Friday, July 23, 2010
DEA Holds THC Minister in Custody After Appeal
13 church members were also arrested, but are out on bail.
| Roger Christie, founder of the THC Ministry. Photo by thc-ministry.org |
(HONOLULU / SALEM, Ore.) - Fourteen people on the Big Island of Hawaii were apprehended in a series of raids, including Roger Christie, founding director of The Hawaii Cannabis (THC) Ministry two weeks ago. He is still sitting in a cell.
61-year old Roger Cusick Christie was arrested when his apartment at Wainaku Terrace was raided at 6:25 a.m. on July 8th, in Hilo, Hawaii. The police booking log did not list charges at first, only that Christie was arrested by local police assisting "other" law enforcement agencies.
A neighbor who wanted to remain anonymous said he saw the agents that morning, "Some looked like DEA, and one of them had a tag on his jacket that said IRS."
"We assisted federal agents in the arrest, and that's about all I can say," said Capt. Randall Medeiros, commander of the Hawaiian police Criminal Investigation Division. He asked for further questions to be directed to the U.S. Attorney's Office, in Honolulu.
A man staying with Christie, 34-year-old Nathan Clark, told the Tribune-Herald that he was awakened around 6:30 a.m. and asked to leave the premises by the agents. "These arrests are a civil rights violation," Clark said.
"Cannabis is a sacrament in our religion... and this is a First Amendment issue."
The Hilo 14
We now know that a federal grand jury returned a secret indictment last month against the fourteen people, and that a federal judge unsealed the indictment on July 8th.
Roger Christie is being represented by federal public defender Matthew Winter. Roger and seven of the defendants initially remained behind bars; but according to the THC Ministry website, all thirteen have been released on personal recognizance bonds. All except Roger.
Roger was denied bail by the District Court and then again by an appeal to that ruling, despite a recommendation for a $50,000 bond by the federal Pre-Trial Services.
Others arrested are 58-year old Sherryanne L. St. Cyr (Christie's girlfriend), of Pahoa, 51-year old John D. Bouey III, of Keaau; 50-year old Perry Emilio Policicchio, of Hilo; 61-year old Michael B. Shapiro, of Keaau; 32-year old Jessica R. Walsh, of Hilo; 58-year old Richard Bruce Turpen, of Mountain View; 28-year old Victoria C. Fiore, of Hilo; 41-year old Aaron George Zeeman, of Hilo; 46-year old Suzanne Leonore Friend, of Honokaa; 58-year old Timothy M. Mann, of Honokaa; 40-year old Donald James Gibson, of Pahoa; Wesley Mark Sudbury; and Roland Gregory Ignacio.
Many of the same people had their homes, and the THC Ministry headquarters, raided on March 10th. No one was arrested at that time, and no charges were lodged, "belying prosecutors' assertions that he was a danger to the community," attorney Winter contended.
Federal Custody for a First Offense
According to Roger's friend and Ohio attorney, Don E. Wirtshafter, "Roger is a first time, non-violent drug offender. This is not about Roger being dangerous; this is a government tactic to shut Roger up. This week Roger's public defender filed a proper motion for the federal judge to overrule the magistrate's decision to deny bail."
That motion was denied.
http://salem-news.com/articles/july212010/roger-christie.php
William Astore, Wars Don't Make Heroes
Both stories were later revealed to be put-up jobs, pure Bush-era propaganda and deceit. In Lynch's case, almost every element in the instant patriotic myth about her rescue proved either phony or highly exaggerated; in Tillman's, it turned out that he had been killed by friendly fire, but -- thanks to a military cover-up (that involved General Stanley McChrystal, later to become Afghan war commander) -- was still given a Silver Star and a posthumous promotion. Members of his unit were even ordered by the military to lie at his funeral, and he was made into a convenient "hero" and recruitment poster boy for the Afghan War. Both were shameful episodes, involving administration manipulation and media gullibility. Since then, as TomDispatch regular and retired lieutenant colonel William Astore points out, U.S. troops as a whole have been labeled "our heroes," but individual heroes have been in vanishingly short supply.
In fact, the only specific figures who get the heroic treatment these days are our military commanders. They tend to be written about like so many demi-gods (until they fall). General McChrystal, before his ignominious nosedive, was presented in the press (with the Tillman incident all but forgotten) as a cross between a Spartan ascetic and a strategic genius (with the brain of a military Stephen Hawking). Present war commander General David Petraeus regularly receives even more fawning media treatment and seems to be worshipped in Washington these days as if he were not only "an American hero," but a genuine military god (as well as a future presidential candidate). Yet, in the way they've been treated, both of these figures seem closer to celebrities than heroes in any traditional sense.
Perhaps this catches something essential about America's unending wars in Afghanistan, Iraq, and also what used to be called the Global War on Terror but now has no name. Like the drone pilots who sit at Creech Air Force Base in Nevada, killing peasants and terrorists 7,000 miles away and to whom new standards of "valor" are now being applied, most Americans are remarkably detached from the wars our "all volunteer" military force (and its vast contingent of for-profit mercenary warriors) fight in distant lands. Our forces have become generically heroic, but no one cares to look too closely at the specifics of these bloody, dirty wars that will never end in victory, not close enough to end up with actual heroes. Our "heroic" troops have no real names, any more than the wars they fight, and so individual heroics are perhaps beside the point. (Check out the latest TomCast audio interview in which William Astore discusses heroism and the military by clicking here, or to download to your iPod, here.) Tom
"Our American Heroes"
Why It's Wrong to Equate Military Service with Heroism
By William J. AstoreWhen I was a kid in the 1970s, I loved reading accounts of American heroism from World War II. I remember being riveted by a book about the staunch Marine defenders of Wake Island and inspired by John F. Kennedy's exploits saving the sailors he commanded on PT-109. Closer to home, I had an uncle -- like so many vets of that war, relatively silent on his own experiences -- who had been at Pearl Harbor when the Japanese attacked on December 7, 1941, and then fought them in a brutal campaign on Guadalcanal, where he earned a Bronze Star. Such men seemed like heroes to me, so it came as something of a shock when, in 1980, I first heard Yoda's summary of war in The Empire Strikes Back. Luke Skywalker, if you remember, tells the wizened Jedi master that he seeks "a great warrior." "Wars not make one great," Yoda replies.
Okay, it was George Lucas talking, I suppose, but I was struck by the truth of that statement. Of course, my little epiphany didn't come just because of Yoda or Lucas. By my late teens, even as I was gearing up for a career in the military, I had already begun to wonder about the common ethos that linked heroism to military service and war. Certainly, military service (especially the life-and-death struggles of combat) provides an occasion for the exercise of heroism, but even then I instinctively knew that it didn't constitute heroism.
The DEA is Out of Control: We Can Stop This!
|
The Governor Who Hates Her State
Arizona Gov. Jan Brewer paints her state as one big drug den, littered with corpses and gun-toting illegals. Bryan Curtis on her curious sales joband the backlash from Linda Ronstadt and other locals.
In her quest to show why Arizona needs a tough immigration law, Gov. Jan Brewer has pulled off an awesome rhetorical feat. She has rebranded the entire state. Arizona is no longer the sun-drenched home of the Grand Canyon, golf courses, and retirees exulting in 100-degree lethargy. Arizona, in Brewer's telling, is a cross between a Cormac McCarthy novel and The Road Warrior.
"Has my 'dry heat!' desert finally seared one too many brain cells?" asks Rene Alegria. "Maybe so."
The controversial Arizona immigration law has sparked mass protests.
Taken together, Brewer's speeches, campaign commercials, and Fox News appearances offer a stern rebuke to anyone who thinks Arizona is a tranquil place. Arizona, Brewer told Fox News, is a "battlefield." It is the "drug corridor of the world," she said later. Phoenixhome to four pro sports teams and a well-regarded Trolley Museumis "our nation's kidnapping capital," according to a Brewer campaign ad.
Brewer has been a relentless chronicler of Arizona's "porous" border with Mexico, which she said allows a daily "invasion" by undocumented immigrants. Who are the undocumented? The "majority" are "drug mules," she said, others are "human traffickers," and still others may carry "big, strong, dangerous guns, AK-47s."
What about the documented ArizonansNew West entrepreneurs, geezers, the Diamondbacks? "Beautiful people!" Brewer told Greta van Susteren. But also: "We have many, many people that feel they are not safe." And: "We need help." And: "We are just fed up." If Arizona's beautiful people sound slightly jittery, this may be because of what Brewer called the "terror which our citizens live in day in and day out along the border." Native Arizonans contacted by The Daily Beast were surprised the governor wasn't extolling tourist meccas like Tombstone Ranch and Sedona's yuppie playground. No, Brewer prefers to tout Arizona's "drop houses, kidnapping, auto accidents, extortion, drugs, the spillover with the drug cartels."
http://www.thedailybeast.com/blogs-and-stories/2010-07-19/razing-arizona/?cid=hp:mainpromo6
Protofascism Comes to America: The Rise of the Tea Party
Right-wing Congresswoman Michele Bachmann has received permission to form an official Tea Party Caucus in the U.S. House of Representatives. It's official. The Tea Party matters.
So: is it racist? Certainly a sizeable minority of Tea Partiers' "take America back" rhetoric is motivated by thinly disguised resentment that a black guy is president. As for the remainder, their tacit tolerance of the intolerant speaks for itself. "Take America back" from whom? You know whom. It ain't white CEOs.
Yes. The Tea Party is racist. Obviously.
But racism is only one facet of a far more sinister political strain. It's more accurate to categorize the Tea Party as something the United States has never seen before, certainly not in such large numbers or as widespread.
The Tea Party is a protofascist movement.
Robert O. Paxton defined fascism as "a form of political behavior marked by obsessive preoccupation with community decline, humiliation or victimhood and by compensatory cults of unity, energy and purity, in which a mass-based party of committed nationalist militants, working in uneasy but effective collaboration with traditional elites, abandons democratic liberties and pursues with redemptive violence and without ethical or legal restraints goals of internal cleansing and external expansion."
Typical Tea Party rants fit the classic fascist mold in several respects. America, Tea Partiers complain, is falling behind. Like Hitler, they blame leftists and liberals for a "stab in the back," treason on the homefront. The trappings of hypernationalism--flags, bunting, etc.--are notably pervasive at Tea Party rallies, even by American standards. We see "collaboration with traditional elites"--Rush Limbaugh, Congressmen, Republican Party bigwigs (including the most recent vice presidential nominee)--to an extent that is unprecedented in recent history.
Tea Partiers haven't called for extralegal solutions to the problems they cite--but neither did the National Socialists prior to 1933. Then again, they're not in power yet. Wait.
Why Socialism?
This essay was originally published in the first issue of Monthly Review (May 1949).
It's Alive!: The Top Film Criticism Sites: An Annotated Blog Roll, Part One
by Paul Brunick
Mid-century cinephilia offered its transatlantic disciples something that, for the other fine arts, had reached its breaking point in the Modernist period: a canon that could be mastered in its entirety by an individual consciousness. If you subscribed to a dozen or so of the "right" periodicals and faithfully patronized the art-house premieres and repertory revivals of London, Paris, or New York (or, later, San Francisco and Los Angeles), you could quite literally see everything that was considered worth seeing and read all the critics thought to be worth reading. This culture, of course, was built on a kind of artificial scarcity: the back catalogues of film history were just starting to be excavated and archived, much of world cinema was off the Western radar, and most of the accomplished criticism published in student newspapers, mid-sized metropolitan dailies, and underground film journals went largely unnoticed. The last two decades have yielded so much to cinephilia—from digital archives and movie-review clearinghouses to TCM and Netflix—but the surfeit has taken at least one thing away: the illusion of all-encompassing critical authority. The spirit of encyclopedic completism embodied in, say, Andrew Sarris's The American Cinema seems more anachronistic by the day. There are just too many films to see and (more to the point) too many smart writers to compete with.
So where do we get off appointing ourselves the selection committee for the top film criticism sites? If that strikes you as a little presumptuous, you're totally right. Though not "meaningless," the selections below are meaningful only in a contingent, puzzle-piece sort of way. There are plenty of sites that could just as easily have made the cut: Arbogast on Film, Buzz Buzz, Chronicle of a Passion, Cinema Styles, Confessions of an Aca-Fan, The Crop Duster, DVD Savant, Elusive Lucidity, The Independent Eye, Movie Morlocks, New Deal Sally, Rightwing Film Geek, Shooting Down Pictures, Theo's Century of Movies, Zero for Conduct, plus a dozen others we could name off the top of our heads—and who knows how many more that we're not even aware of. But here's the thing: while we could have billed the selections as "43 Semi-Randomly Selected but Genuinely Distinguished Film Criticism Sites," that meme just doesn't trend as well (#awkward). To tantalizingly mislabel the headline above and then clarify the stakes here in the introduction seemed like the best compromise, in a lie-that-tells-the-truth sort of way.
The blog roll has become the defining trope of critical exchange in the early Internet era: its network of laterally enmeshed connections quite literally defines "the Web." But the long, scrolling lists of hyperlinked sites are easily overwhelming. Jumping into a random blog midstream is often disorienting. And if you're already the kind of person who actively seeks out intelligent film criticism, your reading queue is no doubt pretty full. But maybe you'd like to refine your short-list of go-to sites, match your favorite venues against a few others in a Darwinian death-match—because how else are your tastes going to expand and evolve?
Our goal here is to make that process as easy and efficient as possible. For every URL included, one of our crack contributors has come up with an elegantly pithy synopsis of the critical style and obsessively revisited subjects that define the spirit of the site. When you've found a couple of capsules that pique your interest, bookmark them at the top of your browser and click over when you have some downtime. Try to have patience if the writer's personality doesn't immediately hook you. Just as in real life, the person who at first strikes you as slightly boring may later become your best friend forever. So give it a week or two of casual browsing; peruse the backlog of posts by subject tags; linger in the comments sections. Every writer has his own rhythms, her own hidden wellsprings of ideas and emotions, and sometimes it takes some up-front effort to tune in to that. The more you put in, the more you get out.
The projects included here span a wide range of genres: digital film journals, multi-writer theme sites, side projects of film studies academics, digital outreach by professional print reviewers, and, above all, the personal blogs of unpaid enthusiasts. Our only criteria for inclusion were that (a) posts must be written primarily in the English language and (b) the content must be specifically produced for online consumption. The selections are unranked and in randomly generated order (our highly sophisticated algorithm is modeled loosely on the perennial schoolyard favorite MASH).
For years now, Internet film critics have been relentlessly dumped on by many (but by no means all) in the legacy media. Though they've gotten little in the way of social recognition or financial compensation, cinephile bloggers have filled in the gaps of mainstream review coverage, corralled hard-to-find source materials, enriched cinema's theoretical vocabularies and historical narratives, and shared their personal obsessions in often fascinating, hilarious, and deeply affecting ways. I feel personally privileged and just really fucking happy to shine a light on their work—all of them life-affirming examples of democratic participation and humanizing cultural exchange. —Paul Brunick
selfstyledsiren.blogspot.com
filmref.com
diagonalthoughts.com
notcoming.com
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