Barbara Ehrenreich has been called a Marxist just for writing that the US is not a classless society. But criticism has never stopped her exposing social injustice before. Emma Brockes talks to her about her new book, Barack Obama and the great wealth divide
Barbara Ehrenreich, columnist, activist, essayist, writer, at her home in Alexandria, Virginia, USA July 3, 2008. Photograph: Jay Westcott/Rapport
Twenty years ago, Barbara Ehrenreich wrote an article for the New York Times in which she pointed out the growing inequality of American society and was promptly denounced, by a rival paper, as a Marxist. "The Washington Times is an extreme-rightwing publication," she says, so there was no surprise there. But the paper's reaction underlined a general principle: that while one can say "fairly wild" things about race and gender in the US, there persists a certain coyness about class. "There's this powerful myth that America doesn't have classes; that they're an ancient English or European thing that we abolished. And that if you're not rich, it's your own damn fault."
Now 66, Ehrenreich has devoted most of her career to disproving this maxim. Her 2001 bestseller Nickel and Dimed was an account of the year she spent trying to eke out an existence on the minimum wage, which caused affluent readers everywhere to exclaim guiltily: "We had no idea!" She reported that companies cheat their staff of wages (there are 70 lawsuits pending); limit the number of toilet breaks staff take; forbid them from talking to each other or using "profanity" on the premises, and that the cleaner you hired through a "reputable" firm is probably made to clean your house while sick or injured. The book's success owed much to the personal journey of Ehrenreich herself, who suggested the idea to her editor for a younger journalist to take on. But she fitted the profile of the invisible worker - middle-aged, female and knackered. Once in situ, she was bullied by various bosses and forced to retire each night to a motel because she couldn't afford a flat.
Her latest book, which in the US is called This Land Is Their Land: Reports from a Divided Nation, is the animating force behind all this, a collection of columns that almost amounts to a manifesto. The title comes from a Woody Guthrie song, which Ehrenreich can hardly bear to listen to these days. She writes: "I flinch when I hear Woody Guthrie's line, 'This land belongs to you and me'. Somehow, I don't think it was meant to be sung by a chorus of hedge-fund operators."
http://books.guardian.co.uk/interviews/story/0,,2291935,00.html
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