There were other digs at Barack Obama that alluded to ancient Greece and Rome. When he accepted the Democratic party nomination, he did so before a stagey backdrop of doric columns. Republicans said this betrayed delusions of grandeur: this was a temple out of which Obama would emerge like a self-styled Greek god. (Steve Bell also discerned a Romanness in the image, and drew Obama for this paper as a toga-ed emperor.) In fact, the resonance of those pillars was much more complicated than the Republicans would have it. They recalled the White House, which itself summoned up visual echoes of the Roman republic, on whose constitution that of the US is based. They recalled the Lincoln Memorial, before which Martin Luther King delivered his "I have a dream" speech. They recalled the building on which the Lincoln Memorial is based - the Parthenon. By drawing us symbolically to Athens, we were located at the very birthplace of democracy.
Here's the thing: to understand the next four years of American politics, you are going to need to understand something of the politics of ancient Greece and Rome.
There have been many controversial aspects to this presidential election, but one thing is uncontroversial: that Obama's skill as an orator has been one of the most important factors - perhaps the most important factor - in his victory. The sheer numbers of people who have heard him speak live set him apart from his rivals - and, indeed, recall the politics of ancient Athens, where the public speech given to ordinary voters was the motor of politics, and where the art of rhetoric matured alongside democracy.
Obama has bucked the trend of recent presidents - not excluding Bill Clinton - for dumbing down speeches. Elvin T Lim's book The Anti-Intellectual Presidency: The Decline of Presidential Rhetoric from George Washington to George W Bush, submits presidential oratory to statistical analysis. He concludes that 100 years ago speeches were pitched at college reading level. Now they are at 8th grade. Obama's speeches, by contrast, flatter their audience. His best speeches are adroit literary creations, rich, like those doric columns, with allusion, his turn of phrase consciously evoking lines by Lincoln and King, by Woody Guthrie and Sam Cooke. Though he has speechwriters, he does much of the work himself. (Jon Favreau, the 27-year-old who heads Obama's speechwriting team, has said that his job is like being "Ted Williams's batting coach.") James Wood, professor of the practice of literary criticism at Harvard, has already performed a close-reading exercise on the victory speech for the New Yorker. Can you imagine the same being done of a George Bush speech?
http://www.guardian.co.uk/world/2008/nov/26/barack-obama-usa1
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