Nat Hentoff's Last Column: The 50-Year Veteran Says Goodbye

I used to say, 'I've been at the Voice since the Civil War.' But now I'm off to other combats.

By Nat Hentoff

I've borrowed Woody Guthrie's 1942 song to report that this is my last column for the Voice. I'm not retiring; I've never forgotten my exchange on that decision with Duke Ellington. In those years, he and the band played over 200 one-nighters a year, with jumps from, say, Toronto to Dallas. On one of his rare nights off, Duke looked very beat, and I presumptuously said: "You don't have to keep going through this. With the standards you've written, you could retire on your ASCAP income."

Duke looked at me as if I'd lost all my marbles.

"Retire!" he crescendoed. "Retire to what?!"

I'm still writing. In 2009, the University Press of California will publish my At the Jazz Band Ball: 60 Years on the Jazz Scene, and, later in the year, a sequel to The War on the Bill of Rights and the Gathering Resistance will be out on Seven Stories Press with the title Is This America? And I'll be breaking categories elsewhere, including in my weekly syndicated United Media column, which reaches 250 papers, and my jazz and country music pieces in The Wall Street Journal.

I came here in 1958 because I wanted a place where I could write freely on anything I cared about. There was no pay at first, but the Voice turned out to be a hell of a resounding forum. My wife, Margot—later an editor here and a columnist far more controversial than I've been—called what this paper was creating "a community of consciousness." Though a small Village "alternative" newspaper, we were reaching many around the country who were turned off by almost any establishment you could think of.

http://www.villagevoice.com/2009-01-07/columns/nat-hentoff-s-last-column-the-50-year-veteran-says-goodbye/

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